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Drum Production Lessons Cheat Sheet by

Drum Production Lessons
production     mixing     music     techniques     drum

1. Find the Right Spot for the Drum-Kit

My home studio space is pretty small. When a metal band comes in with a huge rack for all their unnece­ssary toms we have to block the door so nobody can go out the front.

But when you have a normal sized drum-kit you have a little more leeway when it comes to positi­oning the drum-kit.

Because of the size of my room and its inherent parallel surfaces I’ve found that angling it slightly diagonally against the walls not only makes the kit sound better in the room but it also creates more surface space around the kit for microphone placement

2. The 80/20 of Your Drum Sound

The kick and the snare are the most important parts of your drum sound. If you can get a killer kick/snare sound from your kit you’re 80% of the way there.

If you’re mixing a driving rock song you’ll place most of your mix focus on these two aspects of your drum-kit so focus on making them the best they can be, even at the expense of the rest of the drum-kit.

3. Easy Overheads with the Record­erman

I gave up on the X/Y technique because it was too annoying to use and always sounded too harsh. Instead I often use a spaced pair A-B technique when I’m just trying to pick up the cymbals but if you want to get a tight drum sound that reduces the sound of your room I recommend the Record­erman technique.

Record­erman Drum Mic Technique

 

Bus Processing For Acoustic Drums

4. The Dryer the Studio, the Better the Mix

What I mean is that if you record the drum-kit as dry as possible it’ll give you more options during the mixing process.

If you have a really roomy drum sound it’ll sound weird if try to juxtapose a large chamber reverb on top of that room sound. Better to keep it as dry as possible in a home recording set-up so you have more options during mix-down.

5. Enhance Your Drums With Sample Replac­ement

I use Drumagog 5 on almost all of my drum mixes.

It’s entirely changed the way I approach drum mixing. It lets me completely change the kick and snare sound if I need to. But it also lets me blend samples with the original recordings if I just need a little extra punch or oomph that I couldn’t capture during the recording phase

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